When it comes to video-editing software that can handle 3D, the choices are fairly limited. "You can drive by a mountain range and not really see any dimension in the mountains because they are so far away." "You get the most dimension out of anything really close to you," he says. "Zoom feels unnatural because our eyes do not zoom." Roger Guyett, visual effects supervisor for 2009's 3D Star Trek, among other movies, suggests keeping the camera close to the action. Avoid dramatic zoom-ins and quick camera movements, which can nauseate viewers, says Grant Anderson, executive director of Sony's 3D Technology Center. But there are differences in how you should compose your shots. For either, you need a memory card big enough to store high-definition video a 64 GB card can hold more than 2 hours.Īs in 2D filming, it's best to have good, uniform lighting. Another option is the JVC GY-HMZ1U ($1000), a similar camera. For both takes I used the Sony Hand圜am 3D HDR-TD30V ($1000), which is small and easy to use and can capture both photos and videos in 3D. To get the variety of shots I wanted, I filmed the band twice playing the song: First I shot from a fixed position, and then I roamed around the stage for closeups. Musicians onstage can move around plenty, but they're confined to a discrete space in which viewers can explore visual depth. The constraints of a concert-style video are beneficial to the 3D-video format. So for my first 3D project, I filmed a music video of my friend's band, Outpouring, performing its song "Love Came Down" onstage. I'm a video buff, but until recently I'd never dabbled in the third dimension. (There's even a smartphone, the LG Thrill, that shoots 3D with stereoscopic lenses.) On these cameras the lenses record two videos simultaneously. But unless you have Hollywood-level money to throw around-a rig costs at least a few thousand dollars-you're better off with a cheaper dual-lens camera, which can achieve the same effect. Now, thanks to an influx of relatively affordable 3D TVs, you can enjoy the extra dimension outside of the movie theater-with videos you've shot yourself.įor big-budget movies, cinematographers use two cameras linked together and separated with a beam splitter. Media Platforms Design Team Since the early 1900s filmmakers have tried to take advantage of our two eyes by making 3D movies.
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